Tag Archives: v&a

Article: updating lighting can completely transform displays

A perfect example of how lighting can add enormous value to a gallery project can be seen at our recent work on the V&A Museum’s series of three linked gallery spaces that form the Design 1900 – Now collection. The galleries have recently been refurbished to great effect & the process was recently featured in the BBC2/Blast series, Secrets of the Museum.

Project designer, David Robertson, worked with the V&A’s lead curators, Corinna Gardner & Johanna Agerman Ross to re-light and refresh the spaces, originally designed in the 1980s. The challenge was to retain all of the cases and setworks, which featured a lighting system so dated – relying mainly on halogen sources – that it could easily have featured as one of the gallery’s exhibits. An initial attempt had been made to replace some of the halogen with retrofit LED lamps, but the results were inconsistent: the lighting, from simple overhead lightboxes, was bland and in many cases had failed, leading to a patchy and dull appearance.

Gallery 74: Cases before refurbishment

The first part of the refurbishment was to understand what the museum needed: a flexible system that could light large objects, down to tiny pieces, creating modelling on the three-dimensional pieces, but equally able to light large flat pieces, such as signage and wallpaper samples.

DHA proposed the existing egg-crate louvred light boxes were upgraded with a high-quality LED behind a diffusing acrylic for a fresher, more contemporary feel. The LED sources were chosen for their colour performance and quality; dimming was introduced so that light levels could be varied from bay to bay to suit the background level of illumination required. A series of mock-ups showed that an ambient light at 4000K worked extremely well with the daylight available in the galleries, and avoided the ‘yellowing’ appearance that a warmer LED source might have introduced.

By contrast, and to create the modelling on objects, a miniature track system was introduced at the front of the case using 3000K warm white sources, as concealed as possible while working within the constraints of the original case framing. This system can carry a number of re-configurable LED spotlights that can have their colour and beam adjusted to suit the objects, and is fully individually dimmable. This approach suits a series of displays where many of the objects can only be illuminated to 50 lux to protect their delicate materials. The spotlights also allow the museum to re-configure displays to suit their Rapid Response collection: displaying and rotating objects as they are acquired.

The final step was to commission the cases: DHA’s experience with dealing with a full range of objects means that we can balance the required light levels into a cohesive visual composition, making each object have its own weight and significance while maintaining the correct light levels. The results speak for themselves.

Gallery 74 cases after refurbishment

The cases are again fit for purpose in a museum of art and design: objects and graphics can be clearly seen in a good quality of light with the correct colour rendering; the system is fully adjustable to suit the changing displays, and the control is logical and simple to operate. This is a great example of how good lighting can aid in museum sustainability: old cases need not be discarded, they can be refreshed and made suitable for the demands of C21st display, while reducing energy costs and maintenance demands at the same time.

Opus Anglicanum @ The V&A Museum

Opening in October 2016, DHA Designs were delighted to work on this beautiful collection of Medieval Embroidery.  The exhibition was designed by Line Lu
nd of the V&A, who created a permanent-looking exhibition to house these very fragile and rare works.

DHA focused around 400 fibre optics and other spotlights on site to create a delicate lighting solution to every object, working together with a range of lenders including the Vatican, the Royal Collection and many churches and cathedrals.  DHA ensured that the astonishing details, thread-work and images that have been preserved in these objects could be seen.   The lighting and design creates a series of jewel boxes that illuminates these beautifully preserved artefacts, which sparkle under the careful lighting, even at only 30 – 50 lux.

Many of these objects are rarely displayed and they won’t be brought together again, so it was a privilege to light such a special and unique exhibition.

https://www.vam.ac.uk/exhibitions/opus-anglicanum-masterpieces-of-english-medieval-embroidery

 

DHA light V&A autumn shows

Dshowcase modelHA have just completed the three major shows at the V&A, all to favourable reviews.

Horst: Photographer of Style is a retrospective of one of the leading Twentieth Century photographers, and Constable: The Making of a Master shows an amazing collection of Constable’s work alongside his influences.  Most recently, Russian Avant-Garde Theatre: War, Revolution and Design, presents over 150 costume and set designs (shown above) against a dramatic backdrop.

All three exhibitions use existing fixtures from stock, which DHA needed to use creatively for three very different experiences.  More information including ticketing can be found here:

http://www.vam.ac.uk/page/e/exhibitions/

 

DHA ‘highly commended’ at the 2013 Lux Awards

The DHA team were pleased to receive a ‘Highly Commended‘ for their Museum of Childhood lighting scheme at the 2013 Lux Awards, presented at the Westminster Bridge Park Plaza on the 21st November.

The Lux Awards are presented annually by Lux Magazine across seventeen categories that range from product design to completed schemes in a number of different environments and decided upon by a jury of industry peers.

More information on our scheme for the V&A‘s Museum of Childhood can be found on our project pages.

V&A Theatre Gallery re-design

DHA were delighted to be asked back to re-light the V&A Theatre Galleries following an object re-display. DHA lit the original displays for the same curatorial team in 2009, and have since worked with the department on Hollywood Costume and David Bowie Is…

The highlight of the new display is the acquisition of Handspring’s Joey from Warhorse, donated by the National Theatre. We worked with the National Theatre’s in-house lighting team to recreate the lighting effects used in the production, within the museum’s conservation guidelines.

Joey’s arrival at the V&A can be seen in the video here